The
Great Train Robbery (1903) 3.5 Stars
U.S.
(Edison)
12m Silent BW (hand-coloured)
Director:
Edwin
S. Porter
Screenplay:
Scott
Marble, Edwin S. Porter
Photography:
Edwin
S. Porter, Blair Smith
Cast:
A.C
Abadie, Gilbert M. “Bronco Billy” Anderson, George Barnes, Walter Cameron,
Frank Hanaway, Morgan Jones, Tom London, Marie Murray, Mary Snow
The most
commercially successful film in America from the pre Griffith era, The Great Train Robbery is generally
regarded as the first of the ‘western’ genre. This title is definitely well
earned: the simple yet exciting plot of crime, getaway, chase and the eventual
prevailing of good over evil, is an idea continued through westerns right into
the 21st century. On the
topic of evil, the ‘bad guys’ of this film epitomise it fantastically, through
actions such as the murder of hostages, stealing bags of money, and an iconic
close up at the end of one of the robbers firing directly at the camera.
In terms
of cinematography a lot can be said, for the time the sets are quite advanced;
with a number of different scenes and locations including a moving train and a
river. Similarly the special effects are rather advanced: with believable use
of dummies, explosions and gunshots which would have stunned the audiences of
the time. Despite being a traditional silent film the somewhat complex plot is
made clear through very descriptive acting and good use of props and costume.
This serves to successfully portray actions such as sending false messages,
opening safes, and heckling newcomers.
To
conclude The Great Train Robbery is
undoubtedly one of the most influential, successful, and advanced films of its
time, with a plotline which can be seen in the biggest films today; it is
rightfully remembered.
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